Ceramic tint1/30/2024 ![]() ![]() ![]() Your best bet is to cover the car seat with a blanket when you exit the vehicle to help keep any metal parts from heating up in direct sunlight. Learn the benefits and drawbacks of ceramic tint, a window tint option that blocks up to 99 of UVA and UVB radiation and 96 of infrared heat. Be careful that the metal parts don’t burn your child when you put them into the seat. Your car can heat up very quickly even on a cloudy day.”Īlso, if you have child car seats in your vehicle, the metal buckles can get really hot, Thomas says. The main difference is the material, charcoal particles in carbon tint add darkness to your window, and ceramic particlesare invisible. “It’s important that you never leave children or pets unattended in a vehicle. And that’s not true at all,” says Emily Thomas, Consumer Reports’ auto safety manager. Deeper tint colors and a drving experience unlike any. ![]() “People often think that it has to be a really hot sunny day for your car to heat up quickly. Nano ceramic tint film provides the ultimate in clear vision with low glare and highly non-reflective. Keeping your car cool is not only a comfort issue but also a safety issue. Also keep in mind how much you’re driving at night because the darker your windows the harder it is to see.Īs for beating the summer heat when you park your car, a winning combination is covering the inside of your windshield with a sunshade and installing ceramic tinting on your side and rear windows. SUVs typically come with darker rear and rear side windows from the factory. There can be different standards for front side windows as well as the windshield. Before adding any aftermarket tint make sure you check your state laws regarding the amount of tint you can put on your car windows. ![]()
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Traktor s4 mk2 review1/30/2024 ![]() What’s particularly helpful, especially for the DJ preferential to older gear, is the MIDI input and output that allows the Kontrol S4 to sync with other devices. The colored RGB buttons are both a physical and functional improvement for triggering cue points, loops, samples, and the Flux Mode buttons, while a loop recorder acts as a fifth deck, letting the DJ include an additional layer into the mix. Physically, it features 66 buttons and 40 knobs, two knobs and two buttons per deck for the loop section, and a jog wheel.Ĭonsidered the more professional out of the two (this doesn’t mean, however, the S2 is solely for amateurs, as you’ll see below), the Kontrol S4 feels upgraded compared to previous Traktor devices. Instead, it’s along the lines of, which one suits your needs better?Īs an all-in-one 4+1 channel DJ system, the Kontrol S4 MK2 essentially gives intuitive performance by placing all crucial features right at the user’s fingertips and allowing for plug-and-play functionality with Traktor DJ for iPad and iPhone (a firmware update will be required). The question, then, isn’t so much whether one device is better than the other. On a very general level, both offer professional quality, from seamless integration with Traktor Pro DJ software and the Traktor DJ iPad app, all while allowing for portability. Featuring a multi-purpose touch strip for playback, loops, and FX, and touch-sensitive knobs to access TRAKTOR PRO 3 browse and loop views instantly, the Z1 is a flexible 2-channel DJ controller made for creativity.When you’re seeking out a quality DJing controller, you can’t get any better than the Traktor Kontrol MK2 S4 and Kontrol MK2 S2. With the ability to control TRAKTOR PRO 3 decks and FX units, Z1 works with all-digital set-ups, as well as with time code controls on your decks. Whether as a stand-alone all-in-one DJ controller or used to control effects and loops to complement your existing DJ set up, TRAKTOR KONTROL Z1 delivers responsive performance in an ultra-compact form. Featuring hands-on, live remixing capabilities with four faders, four pages of 16 pads, and customizable FX assignments, the F1 delivers a unique approach to DJ controllers for TRAKTOR. The simple design is perfect for decks, hot cues, loops, and FX in 2 track decks, and the multi-purpose touch strip for playback, loops, and FX ensures intuitive control for a wealth of mixing styles and genres.Ī pure controller that’s ready for Stems and Remix Decks, the KONTROL F1 is the perfect tool to mix and edit tracks on the fly. With the built-in audio interface and included TRAKTOR PRO 3 software, you’ll have plenty of opportunity to be creative while still retaining that classic 2-deck workflow with your mixes.įinally, the slimmed-down KONTROL X1 delivers our most compact and streamlined controller for TRAKTOR and other DJing set ups. ![]() The TRAKTOR S2 2-channel DJ controller features many of the same controls, including 2 jog wheels within a smaller form factor with a two channel mixer made for DJ purists. Shipped with TRAKTOR PRO 3, the S3 is ready to go right out of the box. The essential 4-deck DJing set up, KONTROL S3 is your entry to 4-channel mixing and includes 2 jog wheels made for spinning, scratching, and beat-matching on your desktop or iPad. Shipping with the full version of TRAKTOR PRO 3, this 4-channel DJ controller helps you craft a sound that’s unique to your style. ![]() ![]() For a slightly more conventional approach to your sets, the TRAKTOR KONTROL S4 features our patented Motorized Haptic Drive jog wheels on either side of your 4-channel mixer, along with an integrated pro-grade audio interface. ![]() ![]() ![]() Other minor bugs fixes and enhancements.Replaced JRE 6u45 by JRE 8u51 in Sweet Home 3D installers bundled with Java under Windows.Upgraded Java 3D to version 1.6.0-pre12 / JOGL 2.3.1 for the Mac OS X version run with Java 7 / 8.Updated French, English and Chinese help pages. ![]() Included Traditional Chinese localization written by Lee Shin-Chun.Included Dutch localization written by Gerwin Harmsen and Rob van den Berg.Fixed a bug that prevented to render photos at the two highest quality levels when Turkish localization is in use.Improved DAE/Collada format support to accept files with missing data.Fixed the management of negative values in Foot/Inch/Fraction unit.Accepted 1/8 1/4 3/8 1/2 5/8 3/4 7/8 fraction text to be entered when Foot/Inch/Fraction unit is in use.Allowed the pitch angle of the point of view to be between -90° and 90°.Displayed an information message once a furniture or textures library import is completed.Proposed directly to save the current home after selecting Sweet Home 3D > Quit menu item under Mac OS X, when only one modified home is opened.Checked the size of the image chosen in the background image and texture import wizards to propose to reduce it if it's very large.Added $level variable in print setup dialog box to print the name of the printed level in page header or footer.Added the ability to change the font and the color of free texts in their modification pane, as well as to display them in the 3D view at a given elevation.Added an option in preferences pane to change the default font.Saved expanded groups in the furniture list.Added Furniture > Add to group and Edit > Paste to group menu items to add objects to the selected group.Added the ability to select objects in furniture groups, edit them and delete them, without the need to ungroup grouped objects.Added Add point to room and Delete point from room menu items in the contextual menu of the plan.Added Edit > Paste style menu item to modify the style of the selected objects from the object of the same type copied in the clipboard. ![]()
![]() ![]() ![]() ![]() AMD Radeon™ Pro 580X graphics card or higher for Mac with Intel® processor.Intel® Core™ processor with 6 cores, or Apple Silicon.NVIDIA RTX™ 2060, AMD Radeon™ RX 6600 or better with latest drivers.6GB or more space available on the hard disk. ![]() Intel® Core™ processor with 6 cores or higher, or AMD Ryzen™.Recommended system configuration Microsoft® Windows® Microsoft® Windows® 10 version 20HN2 (64 bits, and still supported by Microsoft®).4GB or more space available on the hard disk.Thank you for choosing DxO ViewPoint, the first software solution for Mac and Windows entirely dedicated to correcting distorted elements on the edges of photos and to redressing problems with keystoning and tilted horizons.Light | Dark Minimum system configuration Microsoft® Windows® THIS SOFTWARE IS PROVIDED «AS-IS» AND WITHOUT WARRANTY OF ANY KIND, EXPRESS, IMPLIED OR OTHERWISE, INCLUDING WITHOUT LIMITATION ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.ĭxO ViewPoint as a standalone application. Notices, Terms, and Conditions pertaining to third-party software are located at and incorporated by reference herein. This product includes software written by Tim Hudson ( ). OpenSSL This product includes cryptographic software written by Eric Young ( ). Tachenov Qt SDK This software is based in part on The QT framework. QuaZIP Portions of this software utilize QuaZIP technology. IN NO EVENT SHALL SAM LEFFLER OR SILICON GRAPHICS BE LIABLE FOR ANY SPECIAL, INCIDENTAL, INDIRECT OR CONSEQUENTIAL DAMAGES OF ANY KIND, OR ANY DAMAGES WHATSOEVER RESULTING FROM LOSS OF USE, DATA OR PROFITS, WHETHER OR NOT ADVISED OF THE POSSIBILITY OF DAMAGE, AND ON ANY THEORY OF LIABILITY, ARISING OUT OF OR IN CONNECTION WITH THE USE OR PERFORMANCE OF THIS SOFTWARE. Permission to use, copy, modify, distribute, and sell this software and its documentation for any purpose is hereby granted without fee, provided that (i) the above copyright notices and this permission notice appear in all copies of the software and related documentation, and (ii) the names of Sam Leffler and Silicon Graphics may not be used in any advertising or publicity relating to the software without the specific, prior written permission of Sam Leffler and Silicon Graphics. Copyright © 1988–1997 Sam Leffler Copyright © 1991–1997 Silicon Graphics, Inc. TIFF Portions of this software utilize TIFF format. Acknowledgments DxO ViewPoint may utilize the following copyrighted material, the use of which is hereby acknowledged: JPEG Portions of this software utilize the work of the Independent JPEG Group. The information contained in this guide is provided “as is.” In all cases, including negligence, DxO Labs cannot be held responsible for any damage, be it specific, direct, indirect, or consecutive, which may result from or be tied to the use of any information contained in this guide, with or without the software described in this document. All other trademarks are the property of their respective owners. Microsoft®, Windows, Windows XP, Windows Vista, and Windows 7 are registered trademarks of Microsoft Corporation. Mac OSX and the Mac logo are trademarks of Apple, Inc., registered in the United States and in other countries. Adobe, Photoshop, Photoshop Lightroom are registered trademarks of Adobe Systems, Incorporated. Photo credits: Bruce Ashford, Andrea Bagnasco, Ian Coristine, NyghtFalcon, Constantin Foniadakis, Olivier Revon, Jean-Luc Dubin Text: Gilles Théophile More information about DxO ViewPoint can be found at Trademarks DxO is a registered trademark of DxO Labs both in the European Union and in other countries. 29ĭxO ViewPoint - User Guide ©DxO Labs 2012 - All rights reserved 26 Straightening the horizon by using the slider or by entering values. 25 Straightening the horizon by plotting a vertical reference line. 25 Straightening the horizon by plotting a horizontal reference line. 15 Correcting horizontal/vertical anamorphosis. 14Ĭhapter 4 - Correcting volume anamorphosis. 10Ĭhapter 3 - The DxO ViewPoint workspace. 10 Save and return an image processed in Adobe® Photoshop® CS3, CS4, CS5 and CS6. 9 Save and return an image processed in Adobe® Photoshop® Lightroom® 3 and 4. 7Ĭhapter 2 - DxO ViewPoint and your production workflow. 5 Installation, registration, and activation. ![]() ![]() ![]() "Nine Interesting Facts About Sri Venkateswara Suprabhatam". Temples In India Info - Slokas, Mantras, Temples, Tourist Places. ^ "Sri Venkateswara Suprabhatam Lyrics in English with Meaning | Lord Balaji Slokas and Mantras".^ a b Parthasarathy, Venkatesh (November 2, 2020), Venkatesa Suprabhatam: The Story of India's Most Popular Prayer, Westland Publications Private Limited, ISBN 9789389648638, retrieved October 2, 2022.^ B.V.L., Narayanarow (March 31, 1999), Sri Venkateswara Suprabhatam, Tirumala Tirupathi Devasthanams, retrieved October 2, 2022.^ Balaji, Anand (February 27, 2004), "Venkatesha Suprabhatam" Translations, retrieved May 7, 2011. ![]() Rao, Desiraju Hanumanta (September 2009), Valmiki Ramayana - Book I:Bala Kanda - Book Of Youth - Chapter 23, retrieved May 7, 2011 ^ Shri Venkateshwara Suprabhatam, retrieved May 7, 2011, The Youtube video has had approximately 3.5 million views.The Vernacular Veda: Revelation, Recitation, and Ritual. ^ Narayanan, Vasudha Nammaaolvaar (1994).^ Hawley, John Stratton Narayanan, Vasudha ()."Suprabhata, Suprabhātā, Su-prabhata: 14 definitions". Vedavyasa Suprabhata written by Sudhindra Thirtha (Kashi Math) of Kashi Math samsthan.A Suprabhāta poem eulogizing Sītā and Rāma. Kousalya Supraja (Suprabhatam), from the album Sri Nachagiri Suprabhatam, was released in the year 2008. Kousalya Supraja (Suprabhatam) is a Telugu language song and is sung by Lalitha Sagari and S. A Suprabhāta poem eulogizing Kashi Vishwanath. Listen to Kousalya Supraja (Suprabhatam) online. Ramakrishna Bhat, retired professor of Benares Hindu University. A Suprabhāta poem eulogizing Siddhivināyaka. There are many other lesser-known Suprabhātam works apart from the Veṅkaṭeśasuprabhātam. Thus here is the Suprabhatam of the Lord of Vrishachala! Within the humans who are engaged in reciting it every day, the remembrance (स्मृति:) gives birth to superior intellect, which makes the supreme goal (of attaining moksha) easy to achieve. ![]() Ecu flashing service for motorcycles1/29/2024 ![]() ![]() I highly doubt anything will happen to the bike, and like I said, your service department will most likely not care, especially if you make the job of submitting the claim easy by not making modifications apparent.Īnd seriously, Dave/VCycleNut is the best in the business. ![]() ![]() You're more than likely going to be fine, especially if you get in good with your local service department. Places like my local dealer, they're just like you and I, looking to eek out what they can for a little more fun, and they won't say $hit to Yamaha, especially if in regards to Point 2, there is no giveaway that something on the bike has been tweaked. If its a super by the book dealer, they most likely will. Still in regards to the warranty, its also partially up to the dealer if they decide to tell Yamaha the ECU has been flashed.Yamaha corporate won't be tipped off to a ecu flash from pictures As Dave said, you may need to erase his signature off the ECU case if they want pics of the ECU for whatever reason, but that is pretty easy all things considered. If you have a power commander, that is pretty difficult to hide (service manager's comment). If you have a warranty issue, Yamaha may want photos of the bike to approve the warranty case.In fact, for the pending recall fixes, any plugging in for the recall flash should in theory just overwrite, no questions asked (outside of the "Are you sure you want to do this?" Unlike on cars, where a flash counter exists in the ECU, and the ECU is read by the dealer and corporate, Yamaha can't jack into your ECU and see it was flashed, tampered with, etc.So, I had a discussion with my local dealer recently after an unsightly issue I'd rather not think about again (nothing related to Yamaha's build quality, or anything Dave at VCycleNute did), and one of the service guys took my (shameless plug here) VCycleNut tuned 21 MT09 around the block (Hi from Colorado my friend! Been meaning to send my impressions of the tune but have been slammed with work and its been a bit on the cold side) and the topic came up in conversation about the tune and warranty. ![]() For android download Lunarship Software1/29/2024 ![]() ![]() Experienced users say that the Basic plan is too restrictive.It’s integrated with other photo management tools, like previously mentioned PicBackMan.Unlimited storage space for the files that meet maximum requirements (pictures under 150 MB, videos of 1080p smaller than 3 GB up to 20 minutes).Although on average, SmugMug's prices are higher than the ones of previously mentioned Photobucket, SmugMug provides you with more features and promises 24/7/364 human support for customers (yeah, we're also wondering what this special day is). Unlimited storage space and zero ads – what else could you possibly want from an online photo management platform? Maybe, apps for your every device, from a smartphone to Apple TV? SmugMug is just the service for you. To find out what other users think about jAlbum, follow the link below: If you want it for commercial use, the price doubles.It’s accessible from almost any device.This photo manager can be anything: from a humble photo backup to a personal website or an online store.OS: Windows, Mac, Linux, Android, iOS, web version jAlbum has payment integrations with PayPal, Google Checkout, and Fotomoto – this should be enough if your final goal is not just storing pictures but also making money. You can use it to sell your pictures as well as what's on the images themselves. Some of them are ready-made templates for online stores. The jAlbum website editor has different skins for your website. If you don't have a website, you can create one on jAlbum's domain –. This online storage platform can store pictures and share them through almost any website you need: from social media and WordPress blogs to your site. Not what you've expected, right? Here's the explanation. JAlbum is a photo management software that is so versatile that it can act as an online store. To find out what other users think about Adobe Bridge, follow the link below: It’s a part of the Adobe creative environment and is mostly useful for those who use Adobe software on a regular business.It’s a perfect addition to Adobe Photoshop.You can organize youк pictures based on keywords, labels, ratings, and metadata.Also, if you’re not familiar with Adobe software, you might waste time on studying the interface. ![]() You can also edit photos in batches and protect your work by adding a watermark.īut Adobe Bridge has a disadvantage – if you’re not a user of Adobe Creative Cloud, the program will be paid. The program allows you to import bulks of photos directly from your camera, export, and preview images. ![]() When you buy any Adobe program, Adobe Bridge goes with it – for free! Also, if you’re an Adobe user, you get a familiar interface, so it’ll be much easier for you to figure out. Import section in the Library and import results are reflected immediately.This software is one of the best photo managers for those who are already using Adobe Creative Cloud programs like Photoshop. When the import is completed, Phototheca switches to the Last Or several photos to import, and hit the “Import Selected” or “Import N Photos”īutton to start the importing process. Removable drive, then any images that were already imported have a greenīorder, while new images have a white border. If the option is set to Off and Phototheca shows all images on the The checkbox “HideĪlready imported” at the bottom controls whether to show new or all photos fromĪ device. That have not been imported from this specific device yet. Remember previouslyīy default, Phototheca shows new images only in other words, it only shows images When all the photos have been found, photos will appear in the center area. Thisĭialog is a bit different from the regular Import dialog and is optimized forįirst, Phototheca will scan the device for images, with a progress bar on the top. When aĭevice is selected, the import dialog is shown in the main view area. The connected device to see its content and choose photos to import. The left side, under the section “DEVICES.” Removable device is connected to a PC, it will appear in the Library tree on Refresh a library with changes in photosĬan import photos and videos from various removable sources:.Adjust a photo’s light, exposure, and more.Import from memory cards (removable media). ![]() ![]() It will not match the FLAC md5.īut the FLAC md5 is the decoded PCM - which the DSD md5 is not (simply because that would be an md5 of a lossy conversion!)Īnd you cannot use foo_bitcompare, because that will not compare the DSD with the 32-bit floating-point file it will first convert the DSD to the 32-bit floating-point and compare that to another 32-bit floating-point with the same audio. The latter transfers id3v2.3 tags from the DSD (not yet v2.4) the "h" improves compression the "m" writes an audio md5 which you can read off in foobar2000. ![]() WavPack has a mode to compress "undecoded" DSD losslessly, but you cannot do that by way of fb2k (because fb2k will decode it first and then pass it on, creating something bit-identical to a 32-bit floating-point PCM which isn't lossless). But it can contain everything a 24-bit integer can, so had the 24-bit been lossless, they would have been identical. Now the 32-bit floating-point is not in itself lossless. Using flac further converts to 24-bit integer, so there is a simple way to decide that the conversion to FLAC is lossy: compare the FLAC to a 32-bit floating-point. When converting from DSD-in-wavpack (see below), it warns you about the lossiness. That is, anything played back by foobar2000 - or converted by foobar2000 - is first projected down to what can be fit in a 32-bit floating-point PCM file, whether that processing is lossy or lossless. The conversion is not lossless, and your test is flawed the moment you use fb2k on something that cannot be contained in 32-bit floating-point - that is what fb2k uses internally. If anyone has a better way to do it I would love to test it and see how close it gests. What I'm really looking for is empirical way to compare source to encoded flac. I need pcm files since I use WASAPi output and have a headphone crossfeed in f2k dsp chain.Ĭan't use it with dsd, thus having pcm from dsd with same quality is what I need. If this is not lossless than it must be very very close. I have tested also DSD256 now with same results. Making 16 bit flac output gives differences from 0.000002 to 0.000012 peak values, 24 bit flac's are exactly the same. I understand that DSD2PCM convert and it stands to reason that I check md5 of that output as source not DSD.īut exactly same values with replaygain say that this is very "exact" conversion. ![]() Replaygain has exactly the same values for DSD source and FLAC encoded directly from DSD source. So it means that converting DSD Source to FLAC is 100% lossless conversion.īoth output FLAC files have same MD5 cheksum. ![]() Give us opportunity to check the Audio MD5 in final FLAC files.Īnd to my surprise final FLAC's all have the same Audio MD5 checksum. Musepack -standard (I use it because i like it, it doesn't matter which codec is used)įoobar2000 displays Audio MD5 for FLAC files but not for SACD ISO or DSD files.Ĭonverting DSD Source -> FLAC -> Musepack -> FLACĬonverting DSD Source -> Musepack -> FLAC SACD Converter DSD2PCM Mode: Direct (32fp, 30kHz lowpass)Ĭonverting DSD source to FLAC creates 24/44.1 files - around 4,3 times smaller than DSD source file. SACD DSD is pulse density modulation, CD PCM is pulse code modulation.Ĭan there really be a lossless conversion from DSD to PCM? ![]() ![]() ![]() ![]() Social scientists, interested in assessing objective reality (or at least reduced subjectivity), use a scientific method to collect empirical evidence. Any ontological investigation for a critical theorist will thus have to help unearth these inequities.Įpistemology looks at how we come to know a chosen phenomenon and thus how researchers study this phenomenon. Thus, they believe that power differences are at the base of social transactions (Scotland, 2012). ![]() Researchers in this area explore how social structures create power inequalities and injustices. Critical theorists focus particularly on social injustices and inequalities in life. If the social scientists take a deterministic view of human behavior, interpretivists thrive in a person’s free will. In contrast and as a reaction to the social scientific perspective, interpretive researchers argue that the observer and the observed are subjective and the most important lessons are in how they co-create meaning. Social scientific ontology provides clarity and direction due to its rigorous questioning of plausibility and reduction of subjectivity. Researchers from this perspective use a deductive approach and are keen to explain and predict phenomena. In the social scientific perspective, the researcher views the world objectively in that there is a world outside of us that can be systematically studied. Ontology is the study of the researcher’s orientation to reality. Finally, we offer traditional integration of the three approaches and also alternate methodological perspectives to study intercultural issues from a non-Western lens. Then, for each methodological perspective, common methods and types of data collected and some exemplars are identified. First, the ontological, epistemological, and axiological assumptions underlying each of these methodological perspectives are explored. The purpose of this article is to describe, and explore integration of, the three main methodological perspectives in studying intercultural communication issues: social scientific, interpretive, and critical. Our worldview not only shapes what we see as an interesting problem to study but also the methodology we use to study the problem. In India, the same set of behaviors among children is seen as what children tend to do, as normal and not as a problem. For example, behaviors associated with attention deficit hyperactivity disorder (ADHD) are seen as a problem in the United States, and there are medications to solve the problem. Our worldview defines if an issue is a problem or not and if we need to come up with a solution. Our worldview shapes what is “interesting” to a particular audience, what is considered a problem, what problem is interesting to study, and whether the goal of studying a problem is to analyze the problem, to analyze and solve the problem, or to analyze, solve, and implement the solution. However, there are creative possibilities for combining these approaches that have potential for fuller understanding of intercultural communication. Most scholars utilize one of these primary approaches given the consistency with their world views, theories, and research training. Critical scholars seek to unmask domination and inequality. From this perspective, intercultural communication involves inequalities that can be attributed to power and distortions created from (mis)use of this power. Critical methods often involve qualitative data collection and research approaches such as interviews and textual critique. From this perspective, intercultural communication and meaning is created through interaction, and we seek to understand these meanings by exploring the perspectives of people who participate as members of cultural communities. Interpretive methods often involve qualitative data collection and research approaches such as interviews and ethnographic observation. From this perspective, intercultural communication is seen as patterns of interaction, and we seek to explain and understand these patterns through clear measurement and identification of key independent variables. Social scientific methods often involve quantitative data collection and research approaches such as surveys and experiments. ![]() Each of these approaches reflects different philosophical assumptions about the world and how we come to know it. 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